Music, rape, and Boujemaa Razgui

Just about every musician I know has posted on Facebook about the Boujemaa Razgui story.  Now Customs has issued a statement and doubled down on their disaster, instead of throwing the officers involved under the bus. The gifted expatriate sackbut player and maker (and unapologetic socialist) Nathaniel Wood asked, “Who do these people think they are? ::weeps::” I’d been productive and good all day, so I fell into the temptation of trollery and replied, “They think they are protecting the citizens of the United States from agricultural disasters. Do you understand now why I am a minarchist?” The problem with this was that several people took it as a challenge to their belief in the benevolent state (ok, maybe it was!) and started blaming RAZGUI for his misfortune because, you know, a guy who travels all over and has presumably checked his instruments with luggage before should have known that someday some Customs guys would get a hardon, and should have made them carry-ons…where he would have had to deal with Customs anyway, argue with them, and get turned away from his home (he’s a Canadian citizen, orsiginally from Morocco, currently living in NYC).

Well, all this seemed to be a bit much like blaming the victim, so I asked one fellow his opinion of the classic case of Blaming the Victim. “Does a woman also have a responsibility to protect her body from rape?”  Nate yelped foul, the guy I was addressing said “I have absolutely no idea how you can even think to draw that comparison …….” and we were off to the races. My reply:

How can I draw that comparison? I’m a musician. My instruments are part of my identity, an extension of my body. It’s as intimate as the connection with one’s genitals, and as such, the psychological violation is as bad. The physical violation is WORSE, because the body heals, but instruments don’t replace themselves (and when replaced, are never exact replacements). Now, if I were to tell a woman to be sensible about what she exposes to whom, I’d be accused of “blaming the victim”. Isn’t that what you’ve just done with Razgui? (That’s my explanation, Nate, and you’ll have to decide if it applies, or is an extension of tastelessness.)

All of my musician friends are wringing hands about this, and rightly so. It’s horrible beyond belief. Yet hundreds of people are violated by the State each day, and have their lives ruined. They aren’t One of Us, though, so they don’t matter, as long as the Greater Good is served. So I appreciate the honesty of the folks who say, “It’s his fault.” But then you don’t get to be all emotional about it. If a moral crime was committed (and I think there was), we have an obligation to decide why and how, and how to stop it from happening again. That may well involve doing less. If we give average people the power to destroy without the responsibility to restitute, we’re asking for incidents like this.

Now to be fair to Nate, he very clearly saw that, on physics, biology and the law, this was clearly a case of Customs overreach. He didn’t address my original point, but since I’d offended him, I didn’t feel like pursuing the point on his Facebook page. Here, however, I’m under no such limitations.

I’d like to fill in the rape analogy. The instruments were self-made, somewhat as a woman’s body is. And the act of playing music with others can be unbearably intimate. You’re trusting the others not to mess up, as they trust you. You are constantly adapting to others’ musical ideas, as they adapt to yours. The New Musicology doubtless has much to say about this. And I wonder what the Goddess of New Musicology, Susan McClary, would say… but I don’t necessarily wonder enough to ask her when the semester begins (I’m controversial on Facebook so I don’t have to be at work.)

Was this violation necessary?  Nobody argues that rape is necessary. I can only think of one context where one could argue that, and since humanity is in no danger of dying out, it’s not applicable to reality, so why bother? And not many argue that agricultural import controls are UNnecessary. One could make the case that, in this small world, it would be best to get it over with, let everything go everywhere and duke it out for their own ecological niche. I’m not making that case, because we really don’t know enough to foresee all the dangers. And we like to pick the winners. But certainly government has done almost as much harm as good with invasive species, introducing such problems as kudzu, and the bane of my existence, multiflora rose.

This is a place where the Big Government folks need to read the Founding Fathers, and apply their principles to their own policy positions. If you’re going to give some high school grads power to make or break somebody’s livelihood (as they do with the vote), you need to hedge that power about with fearsome restrictions. You need rules under which they can do no irreparable harm. Agricultural materials? Sure, quarantine them until we’re sure they’re fine, especially if they’re obviously made into something. The opinion of the bottom rung worker has to be appealable, all the way up, and if they act on their own to make appeal impossible, they get the boot. Because oboe reeds are agricultural. Stradivarius violins are agricultural.

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